A look at the trials and tribulations of The Compson siblings, living in the deep south during the early part of the 20th century.

Thoma belongs to the Palaparambil family, which is disliked by the locals due to his father's actions. However, he comes up with a plan to portray his greedy father as a charitable person.

A writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.

The source material is the opening and closing credits of feature films. A composition draws the sound-on-film onto the image. The images draw the sound.

Zani and Tum host a series of talks with their celebrity guests interspersed with live musical performances.

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

John Ritter shows off his comedic talent with a collection of comedy sketches.

This profile of legendary funk/R&B icon Rick James captures the peaks and valleys of his storied career to reveal a complicated and rebellious soul, driven to share his talent with the world.

The discovery of self-awareness in a twisting venture between dreams and reality. (The first piece of the director's Transformational Trilogy)

A stressed out actor (Jason) leaves work to buy weed from paranoid drug dealers when they (drug dealers) discover, Jason is wearing a wire.